More than half a million Australians have had – or have considered – designer vagina surgery, new research has found, under the influence of mainstream pornography and social media. Now one of the fastest growing cosmetic procedures among young people in Australia and worldwide, the surgery, known as labiaplasty, involves the removal or altering of tissues from the labia, the folds of skin that sit on either side of a person’s vaginal opening.Gay porno While there can be health reasons for reducing the size of the labia, the “unrealistic body standards” modeled both within porn and on social media are to blame for a new generation of people with vaginas considering the procedure purely for cosmetic reasons, a study published on Monday by Women’s Health Victoria and YouGov found. The Real Bodies: Understanding and Celebrating Labia Diversity report surveyed 1030 girls, women and gender-diverse people aged to 18 to 50 about their attitudes toward their genitalia. Almost a quarter (23 per cent) of respondents aged to 18 to 24 said they felt anxious, unhappy or embarrassed about how their labia look, while 35 per cent said they associated it with negative words like “weird”, “disgusting” or “ugly”. “Although conversations around sex and body positivity have come such a long way, my generation still don’t often talk about labia,” respectful relationships and consent advocate Libby Payne said. “Many people my age don’t know the difference between the vagina and the vulva, let alone that labia come in all shapes and sizes.” A whopping one in 10 respondents – the equivalent of more than half a million Aussies – said they had or have considered the procedure, which carries significant risk and is not proven to improve self esteem, body image or sexual satisfaction. Of those, almost half (46 percent) said their decision was influenced by images and videos online. One in five (19 percent) of Gen Zs said they obtain their information of what their genitalia “should look like” through porn, in which performers’ labia are often airbrushed, filtered, and even surgically altered. Almost a third of Gen Zs said they obtain their information of what genitalia “should look like” – prompting calls from experts and medical professionals for more inclusive relationship and sexual education in all schools, and faster progress on the Federal Government’s regulation of young people’s access to online pornography. “When we fail to provide sex and relationships education that includes the true diversity of human bodies it’s no wonder young people assume the genitalia they see in porn are the norm,” Payne said. “While there is great porn that can boost self-confidence and pleasure, there is still a lot out there that can be damaging. The unrealistic body standards that are modeled both within porn, and in our social media advertising, can cause young people to be concerned their own vulva doesn’t look right, or is misshapen.” The young people the 24-year-old works with, she said, “list the endless pressures they feel are placed on how their bodies should look, such as being hairless or having a ‘tucked-in’ slit”. One in eight respondents said they had delayed a GP visit for sexual and reproductive concerns due to being embarrassed about the appearance of their labia, while 13 percent said they have felt embarrassed or unwilling to have sex. “Increasingly I’m hearing they are anxious and embarrassed about their body as they are worried their partner is comparing it to what they have seen in porn,” Payne added. “We cannot leave our young people thinking their bodies are wrong. “We must encourage conversation that normalizes and celebrates the differences in size, color, symmetry, and shape of the vulva and labia.” Dr Melissa Kang, who works with marginalized young people, particularly on adolescent sexual health, echoed the sentiment. “What we need to talk about more, especially with young women and girls (cis and trans inclusive), is how labia are diverse and unique, and come in all different shapes, sizes and colors,” Kang said. Advertisement

More than half a million Australians have had – or have considered – designer vagina surgery, new research has found, under the influence of mainstream pornography and social media. Now one of the fastest growing cosmetic procedures among young people in Australia and worldwide, the surgery, known as labiaplasty, involves the removal or altering of tissues from the labia, the folds of skin that sit on either side of a person’s vaginal opening.Gay porno While there can be health reasons for reducing the size of the labia, the “unrealistic body standards” modeled both within porn and on social media are to blame for a new generation of people with vaginas considering the procedure purely for cosmetic reasons, a study published on Monday by Women’s Health Victoria and YouGov found. The Real Bodies: Understanding and Celebrating Labia Diversity report surveyed 1030 girls, women and gender-diverse people aged to 18 to 50 about their attitudes toward their genitalia. Almost a quarter (23 per cent) of respondents aged to 18 to 24 said they felt anxious, unhappy or embarrassed about how their labia look, while 35 per cent said they associated it with negative words like “weird”, “disgusting” or “ugly”. “Although conversations around sex and body positivity have come such a long way, my generation still don’t often talk about labia,” respectful relationships and consent advocate Libby Payne said. “Many people my age don’t know the difference between the vagina and the vulva, let alone that labia come in all shapes and sizes.” A whopping one in 10 respondents – the equivalent of more than half a million Aussies – said they had or have considered the procedure, which carries significant risk and is not proven to improve self esteem, body image or sexual satisfaction. Of those, almost half (46 percent) said their decision was influenced by images and videos online. One in five (19 percent) of Gen Zs said they obtain their information of what their genitalia “should look like” through porn, in which performers’ labia are often airbrushed, filtered, and even surgically altered. Almost a third of Gen Zs said they obtain their information of what genitalia “should look like” – prompting calls from experts and medical professionals for more inclusive relationship and sexual education in all schools, and faster progress on the Federal Government’s regulation of young people’s access to online pornography. “When we fail to provide sex and relationships education that includes the true diversity of human bodies it’s no wonder young people assume the genitalia they see in porn are the norm,” Payne said. “While there is great porn that can boost self-confidence and pleasure, there is still a lot out there that can be damaging. The unrealistic body standards that are modeled both within porn, and in our social media advertising, can cause young people to be concerned their own vulva doesn’t look right, or is misshapen.” The young people the 24-year-old works with, she said, “list the endless pressures they feel are placed on how their bodies should look, such as being hairless or having a ‘tucked-in’ slit”. One in eight respondents said they had delayed a GP visit for sexual and reproductive concerns due to being embarrassed about the appearance of their labia, while 13 percent said they have felt embarrassed or unwilling to have sex. “Increasingly I’m hearing they are anxious and embarrassed about their body as they are worried their partner is comparing it to what they have seen in porn,” Payne added. “We cannot leave our young people thinking their bodies are wrong. “We must encourage conversation that normalizes and celebrates the differences in size, color, symmetry, and shape of the vulva and labia.” Dr Melissa Kang, who works with marginalized young people, particularly on adolescent sexual health, echoed the sentiment. “What we need to talk about more, especially with young women and girls (cis and trans inclusive), is how labia are diverse and unique, and come in all different shapes, sizes and colors,” Kang said. Advertisement

Stream It Or Skip It: ‘Civil War’ on HBO Max, a Thorny, Provocative and Action-Packed Slice of Speculative Fiction That Offers No Easy Answers

Johnny Knoxville Admits He Became “Addicted” To Doing Stunts On ‘Jackass’: “I’m Still Dealing With That”

Is ‘The Killer’s Game’ Streaming on Netflix or Prime Video?Gay porno

‘Rebel Ridge’ Ending Explained: Why Do the Cops Switch Sides in the New Netflix Movie?

Kevin Smith and Netflix Have the Newest Entries in the ‘Superbad’ Knockoff Sweepstakes

Stream It Or Skip It: ‘Technoboys’ on Netflix, a Tonedeaf Boy Band Satire from Mexico

Will Ferrell Regrets Dressing In Drag For Laughs On ‘SNL’: “That’s Something I Wouldn’t Choose To Do Now”

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Emmy Winners 2024: The 76th Primetime Emmys Winners [Complete List]

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Stream It Or Skip It: ‘Boxer’ on Netflix, a Polish Pugilism Film That Throws a Lot of Predictable Punches

Martha Stewart Calls Out “Laziness” Of Netflix’s ‘Martha’ Documentary

Cyndi Lauper Had A “Fight” With The ‘Girls Just Want To Have Fun’ Movie Producer: “I Didn’t Want Him To Take My Image And Make Some Bullsh*t Story”

Stream It Or Skip It: ‘The Disappearance of Shere Hite’ on Hulu, a documentary about an underappreciated feminist icon

Icon Patti LuPone Refuses To Apologize To Madonna On ‘Hot Ones’ After Calling Her A “Movie Killer” — And Shades Kim Kardashian, Too

Stream It Or Skip It: ‘Girl You Know It’s True’ on VOD, A Biopic Treatment Of The Rise And Fall Of Milli Vanilli, With A Sensitive Side 

Stream It Or Skip It: ‘Are You Sure?!’ on Disney+, A Hangout Reality Show Featuring Jimin And Jung Kook of BTS

Stream It Or Skip It: ‘Dirty Pop: The Boy Band Scam’ on Netflix, A Docuseries Delving Into The Financial Scheming of The Backstreet Boys and NSYNC’s “Big Poppa”

Stream It Or Skip It: ‘Bob Marley: One Love’ on Prime Video, A Biopic of a Music Legend and International Inspiration

Will There Be a ‘Perfect Couple’ Season 2 on Netflix?

7 Shows Like ‘The Perfect Couple’ If You Loved The Netflix Mystery Series

‘The Perfect Couple’ Episode 6 Recap: “That Feels Better”

‘The Perfect Couple’ Episode 5 Recap: “Never Gonna Give You Up”

‘Secret Lives Of Mormon Wives’ Star Taylor Frankie Paul Wants To Be There For Whitney Leavitt: “She’s Getting Torn To Shreds On The Internet”

Joy Behar Makes Taylor Frankie Paul Cringe With Suggestion About “Mormon Swinging” On ‘The View’

How to Watch ‘The Secret Lives of Mormon Wives’ Free on Hulu—Catch Up Now

‘Secret Lives Of Mormon Wives’ Star Mayci Neely Says She’s “Really Irritated” That Whitney Leavitt Exposed Their Text Chain On TikTok: “It’s A Trust Thing”

‘The Lord of the Rings: The Rings of Power’ Season 2 Episode 5 Recap: Mithril Blue Persuasion

Who is Valandil in ‘The Lord of the Rings: The Rings of Power’? How This Heroic Side Character is Connected to Aragorn

‘The Lord of the Rings: The Rings of Power’ Season 2 Episode 4 Recap: Tom FREAKING Bombadil

‘The Lord of the Rings: The Rings of Powers’ Season 2’s Best New Character is Nia Towle’s Beguiling Estrid

Did Yasmin Really Kill Her Father in ‘Industry’ Season 3 Episode 6? Marisa Abela, Myha’la, and Co-Showrunner Konrad Kay Break That Twisted Death Scene Down

‘Industry’ Season 3 Episode 5 Recap: Golden Showers Fill Your Eyes

‘Industry’ Star Harry Lawtey Calls This Week’s Episode a “Real Slap in the Face” For Robert Spearing: “He is Just a Pawn”

‘Industry’ Star Miriam Petche On How She Landed Her Breakout Role While Still Studying At University

‘Bad Monkey’ Episode 6 Recap: Show Us What’s Real

‘Bad Monkey’ Episode 5 Recap: Florida Man (And Woman)

‘Bad Monkey’ Episode 4 Recap: Killing Eve

‘Bad Monkey’ Episode 3 Recap: Bad Voodoo And Daddies

Whoopi Goldberg Scoffs Over A “Dumb Question” On ‘The View’

Joy Behar Says ‘The View’ Rejected Lauren Sanchez After She Auditioned To Be A Host Twice: “I Don’t Think You Needed That Job”

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‘Tell Me Lies’ Cat Missal And Tom Ellis Praise Intimacy Coordinator’s Role In Steamy Bree And Oliver Scenes: “It Makes Intrinsically Uncomfortable Stuff Slightly More Comfortable” And here we are. The end of a mostly uneventful, meandering season that left the ravenous Bear-loving public still waiting for it to officially begin at the exact moment it ended. Most of the episodes were muddled with flashbacks, pretentious camera tricks, and what appeared to be an overreliance on the actors to improvise through dead spots in scripts. Next season, there should be more substance (right?) and hopefully 95%  less Fak. (I’d prefer 100%, but I get that co-creator and main Fak, Matty Matheson, is a sweetheart in real life, so he needs to be there in some capacity.)  Most of the episode is focused on Ever’s “funeral dinner,” where numerous high-level restaurant cooks and owners fete Chef Terry as she shuffles off to a life beyond the kitchen. Included in the gallery are some real-deal culinary superstars from actual real-deal restaurants—there’s Chef Grant Achtaz from Alinea,  Chef Wylie Dufresne* of wd~50,  Chef Christina Tosi from Milk Bar**, Chef Malcolm Livingston II from Noma. (Not present were Chefs Swedish, Iron, and Naked, who sent their regrets.)  The superstars from The Bear universe were also in attendance: Sydney and Richie, whose five-day stage earned him enough goodwill to score an invite. Luca, the pastry chef who spent time at Ever with Carmy, was there, too. Then there’s Shapiro, who is in charge of preparing the last meal for everyone in attendance.  However, the most important guest at the dinner is Joel McHale, whose character name is finally revealed: Chef David Fields. Once Carmy spots him at a nearby table, he’s so distracted his neck veins are twitching. He fills Sydney in on only brief snippets of the sadistic hazing he endured while he trained under him. And when Fields gets up to go to the bathroom, Carmy follows him there.  Sydney is concerned. “Do we think that’s going to end well?” Luca says probably not. Yet neither of them gets up from the table to intervene. Some confrontations are unavoidable.  Carmy creeps behind Fields and calls for his attention. Fields turns around and appears unsurprised that it’s Carmy, smugly satisfied that he’s made an effort to approach him, but he also makes a point to mangle “Berzatto” as a way to make Carmy feel even smaller than the already substantial height difference between the two. (Joel Mchale looks about 6’4 and Jeremy Allen White is probably 5’7.)   Carmy is so geared up. He looks up at his nemesis in the eye and admits that he’s always wondered what he’d say if he ran into him ever again. He starts with a halting “Fuck you!” but it does no damage.  Then he heads toward the bathroom, but Carmy isn’t done. “I think about you too much!”  Fields turns back around to let Carmy fire away at him — “You gave me ulcers and panic attacks and nightmares!” – but it allows Fields to counter with some devastating facts. He reminds Carmy that all his suffering transformed him from an “ok chef” when he arrived in his kitchen to an excellent one when he left. “I gave you confidence, and leadership, and ability–it fucking worked.” Carmy’s dumbstruck and begins to cry—nothing went according to plan. He steps outside the restaurant to process what happened and why it didn’t turn out how he hoped. It is easily the best scene of the entire season. Haven’t we all daydreamed about punching our bully in the face? Even better— punching him in the face in front of a group of peers who wish someone would finally do it?  This finalé could have gone differently—with Carmy removing his jacket, exposing the guns, and then pulling a surprise uppercut on him. Next, we see Fields knocked unconscious, plopped like a marionette with cut strings in a corner by himself, as all the other dinner guests take turns pissing on his head. Vengeance is served! But most people never get that satisfaction—and if there is a violent follow-through, it usually ends terribly with one person in jail for second-degree assault. What’s that Marcus Aurelius quote? “The best revenge is not to be like your enemy.” The more Carmy thinks about how Fields treated him, the more he realizes that he’s guilty of mistreating his entire staff in the same way. In this case, the only way to cure his own malignancy and exact revenge is for Carmy to become more of a nurturer.  Feeling overwhelmed, Chef Terry steps out to get some air and joins Carmy. Hee thanks her for what he learned inside her kitchen; it turns out she learned what she wanted outside her kitchen. “I want to sleep more, I want to go to London more, I want to go to a party, I want to meet people.” And that’s why she closed the restaurant—to live, basically. Now Carmy must grasp the stakes of his own life or else be banished to a life inflicting pain on others and himself. And for what? A Michelin star? As he makes his way home into the Chicago night sky his phone starts to blow up—the fate-sealing Chicago Tribune review has dropped. We see a spattering of words and phrases across his phone. And then Carmy lets out one last exasperated “Motherfucker!” as the L goes by. Then, three words appear on the screen:  To Be Continued. *** QUESTIONS I STILL HAVE: Why did this season have so many snooze-inducing scenes with two characters just staring at each other, waiting for the other person to speak instead of actual entertaining dialogue? A major one in this episode was Syd and Shapiro in the wine room. There was a creep factor there, but I don’t know if it was purposeful. But maybe he’s the usual psychotic chef with bad boundaries the industry attracts. Meanwhile, Shapiro also ruined what appeared to be a possible future sex-having moment between Sydney and Luca. Speaking of other potential sex-havers—how about Richie and Jess? MIDDLE-AGED DAD NEEDLE DROP: There are like a dozen. But here are the standouts: “In the Garage” by Weezer; “Within Your Reach” by The Replacements; “Can You Hear Me” by David Bowie; “Big White Cloud” by John Cale; “Disarm” by Smashing Pumpkins. CARMY ARM PORN: None! (Sleeved throughout the show.) So let’s pivot to CARMY NECK VEIN PORN.  Or … how about some JOEL MCHALE SATASHIT-EATING GRIN PORNOGRAPHY: * The only name I recognize is Wiley Dufresne, the chef everyone was writing about when I first arrived in New York City in the early 2000s because his restaurant served fish foam pudding or something similar. I definitely could not afford to eat there. ** The only place I’ve ever eaten at is Milk Bar, which I still order, mainly after 10 p.m. when I’m up watching Jason Statham movies. Nothing pairs better with mindless ultra-violence than cereal milk ice cream and birthday cake truffles.  *** Considering how much dogshit was thrown at us this season and despite my better interest, I welcome this news. Save it for later, lizards. Can’t get enough of The Bear Season 3? For more insight, analysis, GIFs, and close-ups of Carmy’s arms, check out some highlights of Decider’s coverage: A.J. Daulerio is a Los Angeles-based writer and editor. He is also the founder of The Small Bow, a recovery newsletter.

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More than half a million Australians have had – or have considered – designer vagina surgery, new research has found, under the influence of mainstream pornography and social media. Now one of the fastest growing cosmetic procedures among young people in Australia and worldwide, the surgery, known as labiaplasty, involves the removal or altering of tissues from the labia, the folds of skin that sit on either side of a person’s vaginal opening.Gay porno While there can be health reasons for reducing the size of the labia, the “unrealistic body standards” modeled both within porn and on social media are to blame for a new generation of people with vaginas considering the procedure purely for cosmetic reasons, a study published on Monday by Women’s Health Victoria and YouGov found. The Real Bodies: Understanding and Celebrating Labia Diversity report surveyed 1030 girls, women and gender-diverse people aged to 18 to 50 about their attitudes toward their genitalia. Almost a quarter (23 per cent) of respondents aged to 18 to 24 said they felt anxious, unhappy or embarrassed about how their labia look, while 35 per cent said they associated it with negative words like “weird”, “disgusting” or “ugly”. “Although conversations around sex and body positivity have come such a long way, my generation still don’t often talk about labia,” respectful relationships and consent advocate Libby Payne said. “Many people my age don’t know the difference between the vagina and the vulva, let alone that labia come in all shapes and sizes.” A whopping one in 10 respondents – the equivalent of more than half a million Aussies – said they had or have considered the procedure, which carries significant risk and is not proven to improve self esteem, body image or sexual satisfaction. Of those, almost half (46 percent) said their decision was influenced by images and videos online. One in five (19 percent) of Gen Zs said they obtain their information of what their genitalia “should look like” through porn, in which performers’ labia are often airbrushed, filtered, and even surgically altered. Almost a third of Gen Zs said they obtain their information of what genitalia “should look like” – prompting calls from experts and medical professionals for more inclusive relationship and sexual education in all schools, and faster progress on the Federal Government’s regulation of young people’s access to online pornography. “When we fail to provide sex and relationships education that includes the true diversity of human bodies it’s no wonder young people assume the genitalia they see in porn are the norm,” Payne said. “While there is great porn that can boost self-confidence and pleasure, there is still a lot out there that can be damaging. The unrealistic body standards that are modeled both within porn, and in our social media advertising, can cause young people to be concerned their own vulva doesn’t look right, or is misshapen.” The young people the 24-year-old works with, she said, “list the endless pressures they feel are placed on how their bodies should look, such as being hairless or having a ‘tucked-in’ slit”. One in eight respondents said they had delayed a GP visit for sexual and reproductive concerns due to being embarrassed about the appearance of their labia, while 13 percent said they have felt embarrassed or unwilling to have sex. “Increasingly I’m hearing they are anxious and embarrassed about their body as they are worried their partner is comparing it to what they have seen in porn,” Payne added. “We cannot leave our young people thinking their bodies are wrong. “We must encourage conversation that normalizes and celebrates the differences in size, color, symmetry, and shape of the vulva and labia.” Dr Melissa Kang, who works with marginalized young people, particularly on adolescent sexual health, echoed the sentiment. “What we need to talk about more, especially with young women and girls (cis and trans inclusive), is how labia are diverse and unique, and come in all different shapes, sizes and colors,” Kang said. Advertisement

Stream It Or Skip It: ‘Civil War’ on HBO Max, a Thorny, Provocative and Action-Packed Slice of Speculative Fiction That Offers No Easy Answers

Johnny Knoxville Admits He Became “Addicted” To Doing Stunts On ‘Jackass’: “I’m Still Dealing With That”

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‘Rebel Ridge’ Ending Explained: Why Do the Cops Switch Sides in the New Netflix Movie?

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Cyndi Lauper Had A “Fight” With The ‘Girls Just Want To Have Fun’ Movie Producer: “I Didn’t Want Him To Take My Image And Make Some Bullsh*t Story”

Stream It Or Skip It: ‘The Disappearance of Shere Hite’ on Hulu, a documentary about an underappreciated feminist icon

Icon Patti LuPone Refuses To Apologize To Madonna On ‘Hot Ones’ After Calling Her A “Movie Killer” — And Shades Kim Kardashian, Too

Stream It Or Skip It: ‘Girl You Know It’s True’ on VOD, A Biopic Treatment Of The Rise And Fall Of Milli Vanilli, With A Sensitive Side 

Stream It Or Skip It: ‘Are You Sure?!’ on Disney+, A Hangout Reality Show Featuring Jimin And Jung Kook of BTS

Stream It Or Skip It: ‘Dirty Pop: The Boy Band Scam’ on Netflix, A Docuseries Delving Into The Financial Scheming of The Backstreet Boys and NSYNC’s “Big Poppa”

Stream It Or Skip It: ‘Bob Marley: One Love’ on Prime Video, A Biopic of a Music Legend and International Inspiration

Will There Be a ‘Perfect Couple’ Season 2 on Netflix?

7 Shows Like ‘The Perfect Couple’ If You Loved The Netflix Mystery Series

‘The Perfect Couple’ Episode 6 Recap: “That Feels Better”

‘The Perfect Couple’ Episode 5 Recap: “Never Gonna Give You Up”

‘Secret Lives Of Mormon Wives’ Star Taylor Frankie Paul Wants To Be There For Whitney Leavitt: “She’s Getting Torn To Shreds On The Internet”

Joy Behar Makes Taylor Frankie Paul Cringe With Suggestion About “Mormon Swinging” On ‘The View’

How to Watch ‘The Secret Lives of Mormon Wives’ Free on Hulu—Catch Up Now

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Who is Valandil in ‘The Lord of the Rings: The Rings of Power’? How This Heroic Side Character is Connected to Aragorn

‘The Lord of the Rings: The Rings of Power’ Season 2 Episode 4 Recap: Tom FREAKING Bombadil

‘The Lord of the Rings: The Rings of Powers’ Season 2’s Best New Character is Nia Towle’s Beguiling Estrid

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‘Industry’ Season 3 Episode 5 Recap: Golden Showers Fill Your Eyes

‘Industry’ Star Harry Lawtey Calls This Week’s Episode a “Real Slap in the Face” For Robert Spearing: “He is Just a Pawn”

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‘Tell Me Lies’ Cat Missal And Tom Ellis Praise Intimacy Coordinator’s Role In Steamy Bree And Oliver Scenes: “It Makes Intrinsically Uncomfortable Stuff Slightly More Comfortable” And here we are. The end of a mostly uneventful, meandering season that left the ravenous Bear-loving public still waiting for it to officially begin at the exact moment it ended. Most of the episodes were muddled with flashbacks, pretentious camera tricks, and what appeared to be an overreliance on the actors to improvise through dead spots in scripts. Next season, there should be more substance (right?) and hopefully 95%  less Fak. (I’d prefer 100%, but I get that co-creator and main Fak, Matty Matheson, is a sweetheart in real life, so he needs to be there in some capacity.)  Most of the episode is focused on Ever’s “funeral dinner,” where numerous high-level restaurant cooks and owners fete Chef Terry as she shuffles off to a life beyond the kitchen. Included in the gallery are some real-deal culinary superstars from actual real-deal restaurants—there’s Chef Grant Achtaz from Alinea,  Chef Wylie Dufresne* of wd~50,  Chef Christina Tosi from Milk Bar**, Chef Malcolm Livingston II from Noma. (Not present were Chefs Swedish, Iron, and Naked, who sent their regrets.)  The superstars from The Bear universe were also in attendance: Sydney and Richie, whose five-day stage earned him enough goodwill to score an invite. Luca, the pastry chef who spent time at Ever with Carmy, was there, too. Then there’s Shapiro, who is in charge of preparing the last meal for everyone in attendance.  However, the most important guest at the dinner is Joel McHale, whose character name is finally revealed: Chef David Fields. Once Carmy spots him at a nearby table, he’s so distracted his neck veins are twitching. He fills Sydney in on only brief snippets of the sadistic hazing he endured while he trained under him. And when Fields gets up to go to the bathroom, Carmy follows him there.  Sydney is concerned. “Do we think that’s going to end well?” Luca says probably not. Yet neither of them gets up from the table to intervene. Some confrontations are unavoidable.  Carmy creeps behind Fields and calls for his attention. Fields turns around and appears unsurprised that it’s Carmy, smugly satisfied that he’s made an effort to approach him, but he also makes a point to mangle “Berzatto” as a way to make Carmy feel even smaller than the already substantial height difference between the two. (Joel Mchale looks about 6’4 and Jeremy Allen White is probably 5’7.)   Carmy is so geared up. He looks up at his nemesis in the eye and admits that he’s always wondered what he’d say if he ran into him ever again. He starts with a halting “Fuck you!” but it does no damage.  Then he heads toward the bathroom, but Carmy isn’t done. “I think about you too much!”  Fields turns back around to let Carmy fire away at him — “You gave me ulcers and panic attacks and nightmares!” – but it allows Fields to counter with some devastating facts. He reminds Carmy that all his suffering transformed him from an “ok chef” when he arrived in his kitchen to an excellent one when he left. “I gave you confidence, and leadership, and ability–it fucking worked.” Carmy’s dumbstruck and begins to cry—nothing went according to plan. He steps outside the restaurant to process what happened and why it didn’t turn out how he hoped. It is easily the best scene of the entire season. Haven’t we all daydreamed about punching our bully in the face? Even better— punching him in the face in front of a group of peers who wish someone would finally do it?  This finalé could have gone differently—with Carmy removing his jacket, exposing the guns, and then pulling a surprise uppercut on him. Next, we see Fields knocked unconscious, plopped like a marionette with cut strings in a corner by himself, as all the other dinner guests take turns pissing on his head. Vengeance is served! But most people never get that satisfaction—and if there is a violent follow-through, it usually ends terribly with one person in jail for second-degree assault. What’s that Marcus Aurelius quote? “The best revenge is not to be like your enemy.” The more Carmy thinks about how Fields treated him, the more he realizes that he’s guilty of mistreating his entire staff in the same way. In this case, the only way to cure his own malignancy and exact revenge is for Carmy to become more of a nurturer.  Feeling overwhelmed, Chef Terry steps out to get some air and joins Carmy. Hee thanks her for what he learned inside her kitchen; it turns out she learned what she wanted outside her kitchen. “I want to sleep more, I want to go to London more, I want to go to a party, I want to meet people.” And that’s why she closed the restaurant—to live, basically. Now Carmy must grasp the stakes of his own life or else be banished to a life inflicting pain on others and himself. And for what? A Michelin star? As he makes his way home into the Chicago night sky his phone starts to blow up—the fate-sealing Chicago Tribune review has dropped. We see a spattering of words and phrases across his phone. And then Carmy lets out one last exasperated “Motherfucker!” as the L goes by. Then, three words appear on the screen:  To Be Continued. *** QUESTIONS I STILL HAVE: Why did this season have so many snooze-inducing scenes with two characters just staring at each other, waiting for the other person to speak instead of actual entertaining dialogue? A major one in this episode was Syd and Shapiro in the wine room. There was a creep factor there, but I don’t know if it was purposeful. But maybe he’s the usual psychotic chef with bad boundaries the industry attracts. Meanwhile, Shapiro also ruined what appeared to be a possible future sex-having moment between Sydney and Luca. Speaking of other potential sex-havers—how about Richie and Jess? MIDDLE-AGED DAD NEEDLE DROP: There are like a dozen. But here are the standouts: “In the Garage” by Weezer; “Within Your Reach” by The Replacements; “Can You Hear Me” by David Bowie; “Big White Cloud” by John Cale; “Disarm” by Smashing Pumpkins. CARMY ARM PORN: None! (Sleeved throughout the show.) So let’s pivot to CARMY NECK VEIN PORN.  Or … how about some JOEL MCHALE SATASHIT-EATING GRIN PORNOGRAPHY: * The only name I recognize is Wiley Dufresne, the chef everyone was writing about when I first arrived in New York City in the early 2000s because his restaurant served fish foam pudding or something similar. I definitely could not afford to eat there. ** The only place I’ve ever eaten at is Milk Bar, which I still order, mainly after 10 p.m. when I’m up watching Jason Statham movies. Nothing pairs better with mindless ultra-violence than cereal milk ice cream and birthday cake truffles.  *** Considering how much dogshit was thrown at us this season and despite my better interest, I welcome this news. Save it for later, lizards. Can’t get enough of The Bear Season 3? For more insight, analysis, GIFs, and close-ups of Carmy’s arms, check out some highlights of Decider’s coverage: A.J. Daulerio is a Los Angeles-based writer and editor. He is also the founder of The Small Bow, a recovery newsletter.

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‘Tell Me Lies’ Cat Missal And Tom Ellis Praise Intimacy Coordinator’s Role In Steamy Bree And Oliver Scenes: “It Makes Intrinsically Uncomfortable Stuff Slightly More Comfortable” And here we are. The end of a mostly uneventful, meandering season that left the ravenous Bear-loving public still waiting for it to officially begin at the exact moment it ended. Most of the episodes were muddled with flashbacks, pretentious camera tricks, and what appeared to be an overreliance on the actors to improvise through dead spots in scripts. Next season, there should be more substance (right?) and hopefully 95%  less Fak. (I’d prefer 100%, but I get that co-creator and main Fak, Matty Matheson, is a sweetheart in real life, so he needs to be there in some capacity.)  Most of the episode is focused on Ever’s “funeral dinner,” where numerous high-level restaurant cooks and owners fete Chef Terry as she shuffles off to a life beyond the kitchen. Included in the gallery are some real-deal culinary superstars from actual real-deal restaurants—there’s Chef Grant Achtaz from Alinea,  Chef Wylie Dufresne* of wd~50,  Chef Christina Tosi from Milk Bar**, Chef Malcolm Livingston II from Noma. (Not present were Chefs Swedish, Iron, and Naked, who sent their regrets.)  The superstars from The Bear universe were also in attendance: Sydney and Richie, whose five-day stage earned him enough goodwill to score an invite. Luca, the pastry chef who spent time at Ever with Carmy, was there, too. Then there’s Shapiro, who is in charge of preparing the last meal for everyone in attendance.  However, the most important guest at the dinner is Joel McHale, whose character name is finally revealed: Chef David Fields. Once Carmy spots him at a nearby table, he’s so distracted his neck veins are twitching. He fills Sydney in on only brief snippets of the sadistic hazing he endured while he trained under him. And when Fields gets up to go to the bathroom, Carmy follows him there.  Sydney is concerned. “Do we think that’s going to end well?” Luca says probably not. Yet neither of them gets up from the table to intervene. Some confrontations are unavoidable.  Carmy creeps behind Fields and calls for his attention. Fields turns around and appears unsurprised that it’s Carmy, smugly satisfied that he’s made an effort to approach him, but he also makes a point to mangle “Berzatto” as a way to make Carmy feel even smaller than the already substantial height difference between the two. (Joel Mchale looks about 6’4 and Jeremy Allen White is probably 5’7.)   Carmy is so geared up. He looks up at his nemesis in the eye and admits that he’s always wondered what he’d say if he ran into him ever again. He starts with a halting “Fuck you!” but it does no damage.  Then he heads toward the bathroom, but Carmy isn’t done. “I think about you too much!”  Fields turns back around to let Carmy fire away at him — “You gave me ulcers and panic attacks and nightmares!” – but it allows Fields to counter with some devastating facts. He reminds Carmy that all his suffering transformed him from an “ok chef” when he arrived in his kitchen to an excellent one when he left. “I gave you confidence, and leadership, and ability–it fucking worked.” Carmy’s dumbstruck and begins to cry—nothing went according to plan. He steps outside the restaurant to process what happened and why it didn’t turn out how he hoped. It is easily the best scene of the entire season. Haven’t we all daydreamed about punching our bully in the face? Even better— punching him in the face in front of a group of peers who wish someone would finally do it?  This finalé could have gone differently—with Carmy removing his jacket, exposing the guns, and then pulling a surprise uppercut on him. Next, we see Fields knocked unconscious, plopped like a marionette with cut strings in a corner by himself, as all the other dinner guests take turns pissing on his head. Vengeance is served! But most people never get that satisfaction—and if there is a violent follow-through, it usually ends terribly with one person in jail for second-degree assault. What’s that Marcus Aurelius quote? “The best revenge is not to be like your enemy.” The more Carmy thinks about how Fields treated him, the more he realizes that he’s guilty of mistreating his entire staff in the same way. In this case, the only way to cure his own malignancy and exact revenge is for Carmy to become more of a nurturer.  Feeling overwhelmed, Chef Terry steps out to get some air and joins Carmy. Hee thanks her for what he learned inside her kitchen; it turns out she learned what she wanted outside her kitchen. “I want to sleep more, I want to go to London more, I want to go to a party, I want to meet people.” And that’s why she closed the restaurant—to live, basically. Now Carmy must grasp the stakes of his own life or else be banished to a life inflicting pain on others and himself. And for what? A Michelin star? As he makes his way home into the Chicago night sky his phone starts to blow up—the fate-sealing Chicago Tribune review has dropped. We see a spattering of words and phrases across his phone. And then Carmy lets out one last exasperated “Motherfucker!” as the L goes by. Then, three words appear on the screen:  To Be Continued. *** QUESTIONS I STILL HAVE: Why did this season have so many snooze-inducing scenes with two characters just staring at each other, waiting for the other person to speak instead of actual entertaining dialogue? A major one in this episode was Syd and Shapiro in the wine room. There was a creep factor there, but I don’t know if it was purposeful. But maybe he’s the usual psychotic chef with bad boundaries the industry attracts. Meanwhile, Shapiro also ruined what appeared to be a possible future sex-having moment between Sydney and Luca. Speaking of other potential sex-havers—how about Richie and Jess? MIDDLE-AGED DAD NEEDLE DROP: There are like a dozen. But here are the standouts: “In the Garage” by Weezer; “Within Your Reach” by The Replacements; “Can You Hear Me” by David Bowie; “Big White Cloud” by John Cale; “Disarm” by Smashing Pumpkins. CARMY ARM PORN: None! (Sleeved throughout the show.) So let’s pivot to CARMY NECK VEIN PORN.  Or … how about some JOEL MCHALE SATASHIT-EATING GRIN PORNOGRAPHY: * The only name I recognize is Wiley Dufresne, the chef everyone was writing about when I first arrived in New York City in the early 2000s because his restaurant served fish foam pudding or something similar. I definitely could not afford to eat there. ** The only place I’ve ever eaten at is Milk Bar, which I still order, mainly after 10 p.m. when I’m up watching Jason Statham movies. Nothing pairs better with mindless ultra-violence than cereal milk ice cream and birthday cake truffles.  *** Considering how much dogshit was thrown at us this season and despite my better interest, I welcome this news. Save it for later, lizards. Can’t get enough of The Bear Season 3? For more insight, analysis, GIFs, and close-ups of Carmy’s arms, check out some highlights of Decider’s coverage: A.J. Daulerio is a Los Angeles-based writer and editor. He is also the founder of The Small Bow, a recovery newsletter.

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‘Tell Me Lies’ Cat Missal And Tom Ellis Praise Intimacy Coordinator’s Role In Steamy Bree And Oliver Scenes: “It Makes Intrinsically Uncomfortable Stuff Slightly More Comfortable” And here we are. The end of a mostly uneventful, meandering season that left the ravenous Bear-loving public still waiting for it to officially begin at the exact moment it ended. Most of the episodes were muddled with flashbacks, pretentious camera tricks, and what appeared to be an overreliance on the actors to improvise through dead spots in scripts. Next season, there should be more substance (right?) and hopefully 95%  less Fak. (I’d prefer 100%, but I get that co-creator and main Fak, Matty Matheson, is a sweetheart in real life, so he needs to be there in some capacity.)  Most of the episode is focused on Ever’s “funeral dinner,” where numerous high-level restaurant cooks and owners fete Chef Terry as she shuffles off to a life beyond the kitchen. Included in the gallery are some real-deal culinary superstars from actual real-deal restaurants—there’s Chef Grant Achtaz from Alinea,  Chef Wylie Dufresne* of wd~50,  Chef Christina Tosi from Milk Bar**, Chef Malcolm Livingston II from Noma. (Not present were Chefs Swedish, Iron, and Naked, who sent their regrets.)  The superstars from The Bear universe were also in attendance: Sydney and Richie, whose five-day stage earned him enough goodwill to score an invite. Luca, the pastry chef who spent time at Ever with Carmy, was there, too. Then there’s Shapiro, who is in charge of preparing the last meal for everyone in attendance.  However, the most important guest at the dinner is Joel McHale, whose character name is finally revealed: Chef David Fields. Once Carmy spots him at a nearby table, he’s so distracted his neck veins are twitching. He fills Sydney in on only brief snippets of the sadistic hazing he endured while he trained under him. And when Fields gets up to go to the bathroom, Carmy follows him there.  Sydney is concerned. “Do we think that’s going to end well?” Luca says probably not. Yet neither of them gets up from the table to intervene. Some confrontations are unavoidable.  Carmy creeps behind Fields and calls for his attention. Fields turns around and appears unsurprised that it’s Carmy, smugly satisfied that he’s made an effort to approach him, but he also makes a point to mangle “Berzatto” as a way to make Carmy feel even smaller than the already substantial height difference between the two. (Joel Mchale looks about 6’4 and Jeremy Allen White is probably 5’7.)   Carmy is so geared up. He looks up at his nemesis in the eye and admits that he’s always wondered what he’d say if he ran into him ever again. He starts with a halting “Fuck you!” but it does no damage.  Then he heads toward the bathroom, but Carmy isn’t done. “I think about you too much!”  Fields turns back around to let Carmy fire away at him — “You gave me ulcers and panic attacks and nightmares!” – but it allows Fields to counter with some devastating facts. He reminds Carmy that all his suffering transformed him from an “ok chef” when he arrived in his kitchen to an excellent one when he left. “I gave you confidence, and leadership, and ability–it fucking worked.” Carmy’s dumbstruck and begins to cry—nothing went according to plan. He steps outside the restaurant to process what happened and why it didn’t turn out how he hoped. It is easily the best scene of the entire season. Haven’t we all daydreamed about punching our bully in the face? Even better— punching him in the face in front of a group of peers who wish someone would finally do it?  This finalé could have gone differently—with Carmy removing his jacket, exposing the guns, and then pulling a surprise uppercut on him. Next, we see Fields knocked unconscious, plopped like a marionette with cut strings in a corner by himself, as all the other dinner guests take turns pissing on his head. Vengeance is served! But most people never get that satisfaction—and if there is a violent follow-through, it usually ends terribly with one person in jail for second-degree assault. What’s that Marcus Aurelius quote? “The best revenge is not to be like your enemy.” The more Carmy thinks about how Fields treated him, the more he realizes that he’s guilty of mistreating his entire staff in the same way. In this case, the only way to cure his own malignancy and exact revenge is for Carmy to become more of a nurturer.  Feeling overwhelmed, Chef Terry steps out to get some air and joins Carmy. Hee thanks her for what he learned inside her kitchen; it turns out she learned what she wanted outside her kitchen. “I want to sleep more, I want to go to London more, I want to go to a party, I want to meet people.” And that’s why she closed the restaurant—to live, basically. Now Carmy must grasp the stakes of his own life or else be banished to a life inflicting pain on others and himself. And for what? A Michelin star? As he makes his way home into the Chicago night sky his phone starts to blow up—the fate-sealing Chicago Tribune review has dropped. We see a spattering of words and phrases across his phone. And then Carmy lets out one last exasperated “Motherfucker!” as the L goes by. Then, three words appear on the screen:  To Be Continued. *** QUESTIONS I STILL HAVE: Why did this season have so many snooze-inducing scenes with two characters just staring at each other, waiting for the other person to speak instead of actual entertaining dialogue? A major one in this episode was Syd and Shapiro in the wine room. There was a creep factor there, but I don’t know if it was purposeful. But maybe he’s the usual psychotic chef with bad boundaries the industry attracts. Meanwhile, Shapiro also ruined what appeared to be a possible future sex-having moment between Sydney and Luca. Speaking of other potential sex-havers—how about Richie and Jess? MIDDLE-AGED DAD NEEDLE DROP: There are like a dozen. But here are the standouts: “In the Garage” by Weezer; “Within Your Reach” by The Replacements; “Can You Hear Me” by David Bowie; “Big White Cloud” by John Cale; “Disarm” by Smashing Pumpkins. CARMY ARM PORN: None! (Sleeved throughout the show.) So let’s pivot to CARMY NECK VEIN PORN.  Or … how about some JOEL MCHALE SATASHIT-EATING GRIN PORNOGRAPHY: * The only name I recognize is Wiley Dufresne, the chef everyone was writing about when I first arrived in New York City in the early 2000s because his restaurant served fish foam pudding or something similar. I definitely could not afford to eat there. ** The only place I’ve ever eaten at is Milk Bar, which I still order, mainly after 10 p.m. when I’m up watching Jason Statham movies. Nothing pairs better with mindless ultra-violence than cereal milk ice cream and birthday cake truffles.  *** Considering how much dogshit was thrown at us this season and despite my better interest, I welcome this news. Save it for later, lizards. Can’t get enough of The Bear Season 3? For more insight, analysis, GIFs, and close-ups of Carmy’s arms, check out some highlights of Decider’s coverage: A.J. Daulerio is a Los Angeles-based writer and editor. He is also the founder of The Small Bow, a recovery newsletter.

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‘Tell Me Lies’ Cat Missal And Tom Ellis Praise Intimacy Coordinator’s Role In Steamy Bree And Oliver Scenes: “It Makes Intrinsically Uncomfortable Stuff Slightly More Comfortable” And here we are. The end of a mostly uneventful, meandering season that left the ravenous Bear-loving public still waiting for it to officially begin at the exact moment it ended. Most of the episodes were muddled with flashbacks, pretentious camera tricks, and what appeared to be an overreliance on the actors to improvise through dead spots in scripts. Next season, there should be more substance (right?) and hopefully 95%  less Fak. (I’d prefer 100%, but I get that co-creator and main Fak, Matty Matheson, is a sweetheart in real life, so he needs to be there in some capacity.)  Most of the episode is focused on Ever’s “funeral dinner,” where numerous high-level restaurant cooks and owners fete Chef Terry as she shuffles off to a life beyond the kitchen. Included in the gallery are some real-deal culinary superstars from actual real-deal restaurants—there’s Chef Grant Achtaz from Alinea,  Chef Wylie Dufresne* of wd~50,  Chef Christina Tosi from Milk Bar**, Chef Malcolm Livingston II from Noma. (Not present were Chefs Swedish, Iron, and Naked, who sent their regrets.)  The superstars from The Bear universe were also in attendance: Sydney and Richie, whose five-day stage earned him enough goodwill to score an invite. Luca, the pastry chef who spent time at Ever with Carmy, was there, too. Then there’s Shapiro, who is in charge of preparing the last meal for everyone in attendance.  However, the most important guest at the dinner is Joel McHale, whose character name is finally revealed: Chef David Fields. Once Carmy spots him at a nearby table, he’s so distracted his neck veins are twitching. He fills Sydney in on only brief snippets of the sadistic hazing he endured while he trained under him. And when Fields gets up to go to the bathroom, Carmy follows him there.  Sydney is concerned. “Do we think that’s going to end well?” Luca says probably not. Yet neither of them gets up from the table to intervene. Some confrontations are unavoidable.  Carmy creeps behind Fields and calls for his attention. Fields turns around and appears unsurprised that it’s Carmy, smugly satisfied that he’s made an effort to approach him, but he also makes a point to mangle “Berzatto” as a way to make Carmy feel even smaller than the already substantial height difference between the two. (Joel Mchale looks about 6’4 and Jeremy Allen White is probably 5’7.)   Carmy is so geared up. He looks up at his nemesis in the eye and admits that he’s always wondered what he’d say if he ran into him ever again. He starts with a halting “Fuck you!” but it does no damage.  Then he heads toward the bathroom, but Carmy isn’t done. “I think about you too much!”  Fields turns back around to let Carmy fire away at him — “You gave me ulcers and panic attacks and nightmares!” – but it allows Fields to counter with some devastating facts. He reminds Carmy that all his suffering transformed him from an “ok chef” when he arrived in his kitchen to an excellent one when he left. “I gave you confidence, and leadership, and ability–it fucking worked.” Carmy’s dumbstruck and begins to cry—nothing went according to plan. He steps outside the restaurant to process what happened and why it didn’t turn out how he hoped. It is easily the best scene of the entire season. Haven’t we all daydreamed about punching our bully in the face? Even better— punching him in the face in front of a group of peers who wish someone would finally do it?  This finalé could have gone differently—with Carmy removing his jacket, exposing the guns, and then pulling a surprise uppercut on him. Next, we see Fields knocked unconscious, plopped like a marionette with cut strings in a corner by himself, as all the other dinner guests take turns pissing on his head. Vengeance is served! But most people never get that satisfaction—and if there is a violent follow-through, it usually ends terribly with one person in jail for second-degree assault. What’s that Marcus Aurelius quote? “The best revenge is not to be like your enemy.” The more Carmy thinks about how Fields treated him, the more he realizes that he’s guilty of mistreating his entire staff in the same way. In this case, the only way to cure his own malignancy and exact revenge is for Carmy to become more of a nurturer.  Feeling overwhelmed, Chef Terry steps out to get some air and joins Carmy. Hee thanks her for what he learned inside her kitchen; it turns out she learned what she wanted outside her kitchen. “I want to sleep more, I want to go to London more, I want to go to a party, I want to meet people.” And that’s why she closed the restaurant—to live, basically. Now Carmy must grasp the stakes of his own life or else be banished to a life inflicting pain on others and himself. And for what? A Michelin star? As he makes his way home into the Chicago night sky his phone starts to blow up—the fate-sealing Chicago Tribune review has dropped. We see a spattering of words and phrases across his phone. And then Carmy lets out one last exasperated “Motherfucker!” as the L goes by. Then, three words appear on the screen:  To Be Continued. *** QUESTIONS I STILL HAVE: Why did this season have so many snooze-inducing scenes with two characters just staring at each other, waiting for the other person to speak instead of actual entertaining dialogue? A major one in this episode was Syd and Shapiro in the wine room. There was a creep factor there, but I don’t know if it was purposeful. But maybe he’s the usual psychotic chef with bad boundaries the industry attracts. Meanwhile, Shapiro also ruined what appeared to be a possible future sex-having moment between Sydney and Luca. Speaking of other potential sex-havers—how about Richie and Jess? MIDDLE-AGED DAD NEEDLE DROP: There are like a dozen. But here are the standouts: “In the Garage” by Weezer; “Within Your Reach” by The Replacements; “Can You Hear Me” by David Bowie; “Big White Cloud” by John Cale; “Disarm” by Smashing Pumpkins. CARMY ARM PORN: None! (Sleeved throughout the show.) So let’s pivot to CARMY NECK VEIN PORN.  Or … how about some JOEL MCHALE SATASHIT-EATING GRIN PORNOGRAPHY: * The only name I recognize is Wiley Dufresne, the chef everyone was writing about when I first arrived in New York City in the early 2000s because his restaurant served fish foam pudding or something similar. I definitely could not afford to eat there. ** The only place I’ve ever eaten at is Milk Bar, which I still order, mainly after 10 p.m. when I’m up watching Jason Statham movies. Nothing pairs better with mindless ultra-violence than cereal milk ice cream and birthday cake truffles.  *** Considering how much dogshit was thrown at us this season and despite my better interest, I welcome this news. Save it for later, lizards. Can’t get enough of The Bear Season 3? For more insight, analysis, GIFs, and close-ups of Carmy’s arms, check out some highlights of Decider’s coverage: A.J. Daulerio is a Los Angeles-based writer and editor. He is also the founder of The Small Bow, a recovery newsletter.

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Игры с каскадами в виртуальных симуляторах Вулкан 24 и их особенности

Каждый, загружает игровые симуляторы в виртуальном клубе, помнит следующие неймы, как «лавина», «каскадные барабаны», «Rolling reels» и «Tumbling reels». Все они значат один и тот же игровой процесс. Выигрышная комбинация заменяется новыми символами, что предоставляет шанс получать дополнительное вознаграждение на одном обороте. Традиционные Вулкан 24 казино создают клиенту только один шанс на победную комбинацию в каждом обороте. Он запускает раунд и смотрит, совпадут ли идентичные значки на призовых линиях. Игры с каскадными (лавинными, падающими и т.д.) барабанами работают иначе, создавая юзеру шанс на вспомогательный бесплатный подарок. Это происходит следующим образом:

• В результате прокрутки формируется призовая комбинация.
• Изображения из выигрышной комбинации исчезают (или разлетаются) и оставляют пустые позиции.
• В этих пустых позициях появляются или (выпадают) новые изображения.
• Юзер получает приз, если указанные символы дополнительно формируют призовую комбинацию между собой или с прочими пиктограммами на рилах.

Процесс повторяется до тех пор, пока победные комбо не перестанут появляться на линиях для выплат. Несмотря на отличающиеся названия, все предусмотренные опции работают одинаково. Новейшей игрой в таком роде стала Квест Гонзо, созданная NetEnt и с релизом в 2010 году.

Причины популярности каскадных симуляторов vulkan 24

Посетителям больше нет необходимости скучно прокручивать катушки и дожидаться, пока сформируется выгодная цепочка на одной из доступных линий для выплат. Их интересует динамичный игровой алгоритм и интересные игры, начиная от проработанных графических элементов с объемной анимацией и заканчивая механиками, повышающие прибыльность игры. Каскадные барабаны стопроцентно соответствуют этим ожиданиям. Формирующиеся прибыльные сочетания и одновремнно с этим обновленные изображения притягивают внимание и приумножают эмоциональный настрой. Особенно, если одна из лавин поможет солидному вознаграждению.

Каскадные катушки предоставляют шанс заиметь несколько наград за один оборот. При выпадении удачных последовательностей пару раз подряд выплаты могут составить довольно весомую сумму. Определенные производители предлагают вспомогательные множители, какие значительно увеличивают награду.

Влияние на значение RTP и показатели волатильности

Лавины обычно не воздействуют на уровень прибыльности онлайн-слотов. Можно найти автоматы с высоким процентом прибыльности (выше 97%) или достаточно малым (меньше 94%). Никакой связи между возникающими значками и величиной RTP не предполагается.

Однако, каскадные катушки приумножают возможность получения солидной награды. Принцип работы видеослота vulcan 24 восполняет это в процессе базового прокрута. По итогам слоты с каскадным алгоритмом обычно предусматривают максимально высокую дисперсию. Поскольку рилы в праве вращаться дважды (и более) при одной и той же ставке. Это означает, что выигрышные комбинации не будут формироваться чересчур часто. Их систематичность в каскадных слотах обычно не превышает 25-30%.

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